Just 2 Spaces Remaining
My workshops are limited to 7 participants, so you get lots of personal instructional time. And, since my goal is to have you devote your time to making photographs and immersing yourself in Italian culture, I take care of all the details; all you have to do is arrive in Italy, photograph and learn.
The ancient hill town of Cortona was cool and rainy earlier in May, but when this group rolled in at the end of the month, they brought the sun with them. We were treated to a string of warm days and crisp, clear nights—the kind of weather that makes late spring in Tuscany feel like…
After several days of floating through the dreamlike world of Venice, photographing, editing and discussing our images, here are some slideshows from my talented Workshoppers. Amanda Dussault & Faces Ann Marie Barry Lewis Dunn Thanks to the great folks at Soundslides for their help in making the slideshows possible!
Cortona, Tuscany and the areas surrounding were our photographic subjects for this great workshop week. Beautiful springtime weather greeted us, with sun, dramatic clouds and the occasional rainstorm to keep us on our toes. We spent the week making photographs, developing new friendships and honing our image storytelling skills. Our base of Cortona offered countless…
In Search of the Personal: Photographing Tuscany with Jeff Curto Saturday, May 16 to Saturday, May 23, 2009 Casa Cornacchi, Bucine, Arezzo, Italy Workshop Home | Course Description | Daily Itinerary | Registration Information Enjoy a photographic journey where you will experience many aspects of Tuscany’s remarkable culture, landscape and hill towns and work towards…
In Search of the Personal – Photographing Southern Tuscany Saturday, June 5 to Saturday, June 12, 2010 How do photographers develop a personal style? When – and how – can a photographer begin to establish a direction in his or her work? Perhaps most importantly, what makes a photograph become a “personal” statement? We will…
[columns] [span6] How do photographers develop a personal style? When – and how – can you as a photographer begin to establish a direction in your work? Perhaps most importantly, what makes a photograph become a “personal” statement? Through lots of image making, a blend of formal and field instruction and plenty of time for…